Client : private
Architect : Takuto Ihara, Waku Masayoshi
Program : Art project
Location : Berlin, Neukölln
Status : built
Between Sonnenallee and Karl-Marx-Straße, two of Neukölln’s main thoroughfares, lies Rixdorf , a village that no longer officially exists, yet remains quietly detached from the surrounding urban bustle. The area retains an atmosphere of its own, with historic, single-storey houses that evoke the feeling of a rural German village. Today, the name Rixdorf resurfaces in public only on special occasions, such as the renowned Alt-Rixdorf Christmas Market, briefly bringing the history of the place back into view.
At one point, I came across a road flanked by speed-limit signs on either side. One of the signs appeared to have disappeared some time ago, leaving only its metal frame behind. For drivers, speed-limit signs mark a shift in the character of the road, signalling a change in speed and movement. For pedestrians, however, they often go unnoticed, making the transition they signify difficult to perceive. Like the empty frame, Rixdorf has not truly disappeared. Only the sign that once gave its identity a visible presence is missing. This parallel became the starting point for my intervention. Using the existing frame, I designed two new signs: NEUKÖLLN and RIXDORF. Together, they establish a clear sense of identity and delineate a boundary between the two. In this way, an ordinary piece of traffic infrastructure becomes a marker of the area's history. Rather than simply filling an empty frame, the project seeks to bring back into view something that has long remained hidden in plain sight.
Trafic Sign Rixdorf/Neukölln
Client : private
Architect : Takuto Ihara
Program : holiday house
Location : Aso-Ubuyama, Japan
Size : 149 m²
Status : on going
In Japan, many traditional houses with cultural value are gradually being lost as they remain unused and deteriorate over time.
This project transforms a traditional wooden house, built approximately 100 years ago in Aso Ubuyama Village into a private holiday accommodation called “YADOYA”. Surrounded by Mount Aso and the Kuju mountain range, the village is known for its rich natural environment, vast grasslands, hot springs, and abundant spring water. All water used in the house is supplied from Ikeyama Spring, one of Japan’s 100 most famous water sources.
The renovation respects the cultural value of the existing house while restoring its original character, which had been altered over time. The existing timber structure is preserved, while locally sourced Oguni cedar is used for new structural elements and flooring. Traditional materials such as earthen walls, lime plaster, and roof tiles are combined with contemporary construction methods to maintain the simple beauty of Japanese architecture.
The original stone foundation system (ishiba-date) is also retained. Rather than replacing it with a modern concrete foundation, this traditional method is valued for its adaptability to the Japanese climate, allowing natural drainage and airflow beneath the floor while providing flexibility against seismic movement.
By combining local resources, traditional craftsmanship, and contemporary comfort, “YADOYA” aims to create a sustainable form of architectural regeneration, a place where people, culture, and nature can exist together in harmony.
Yadoya Aso-Ubuyama
Client : private
Architect : Takuto Ihara, Waku Masayoshi
Program : Art project
Location : Berlin, Neukölln
Status : built
Between Sonnenallee and Karl-Marx-Straße, two of Neukölln’s main thoroughfares, lies Rixdorf , a village that no longer officially exists, yet remains quietly detached from the surrounding urban bustle. The area retains an atmosphere of its own, with historic, single-storey houses that evoke the feeling of a rural German village. Today, the name Rixdorf resurfaces in public only on special occasions, such as the renowned Alt-Rixdorf Christmas Market, briefly bringing the history of the place back into view.
At one point, I came across a road flanked by speed-limit signs on either side. One of the signs appeared to have disappeared some time ago, leaving only its metal frame behind. For drivers, speed-limit signs mark a shift in the character of the road, signalling a change in speed and movement. For pedestrians, however, they often go unnoticed, making the transition they signify difficult to perceive. Like the empty frame, Rixdorf has not truly disappeared. Only the sign that once gave its identity a visible presence is missing. This parallel became the starting point for my intervention. Using the existing frame, I designed two new signs: NEUKÖLLN and RIXDORF. Together, they establish a clear sense of identity and delineate a boundary between the two. In this way, an ordinary piece of traffic infrastructure becomes a marker of the area's history. Rather than simply filling an empty frame, the project seeks to bring back into view something that has long remained hidden in plain sight.
Trafic Sign Rixdorf/Neukölln
Client : private
Architect : Takuto Ihara + Zappe Architekten
Program : Single-Family House
Location : Berlin, Germany
Size : 255 m²
Status : on going
This project is an extension and renovation of a house built in the 1930s, located in a residential area on the outskirts of Berlin. The existing house stands on a long and narrow plot, and the main challenge was to maximise the living space for the family while preserving, as much as possible, the existing garden and a pine tree over 100 years old.
The client wished to create a clear contrast between the existing house and the new extension. Therefore, the original street-facing house, including its characteristic roof form, was carefully preserved. The extension was constructed using a prefabricated timber structure combined with straw insulation panels. The existing house is finished with rendered walls that relate to the surrounding buildings, while the extension is clad in charred timber boards, expressing the different periods and construction methods in a straightforward way.
At the same time, the aim was not only to create contrast but also to bring the two parts together as one house. Although different materials are used, both the rendered facade and the charred timber cladding share a vertical expression, creating a common rhythm across the entire facade. The roofs of both the existing house and the extension are finished with zinc, allowing the different roof forms to be unified through a single material and creating a coherent overall silhouette. In addition, a continuous eaves line wrapping around the building connects the existing and new parts, like a straw hat placed over the house, bringing the two volumes together as one unified home.
This idea is also reflected in the internal layout, where an open and continuous circulation route gently connects each space. Views and movement extend from the existing house through the extension and towards the garden and the woodland beyond, creating a spatial experience where architecture and landscape become closely connected.
House K
Client : private
Architect : Takuto Ihara
Program : Apartment
Location : Berlin, Germany
Status : built
Berlin apartments are often sold without fitted kitchens. As the apartment purchased by the client had no kitchen or bathroom facilities, both spaces were designed from scratch. Each necessary element—from appliances to storage—was conceived as a piece of bespoke furniture, introducing a new order into the existing space. In the kitchen, the areas for cooking and dining are subtly defined, while in the bathroom, the walls are used to their full potential to integrate the washing machine, cleaning equipment and everyday household items into a single storage system.
Client : private
Architect : Takuto Ihara
Program : Small office/apartment
Location : Berlin, Germany
Size : 63 m²
Status : on going
The client has a compact 30 m² commercial unit which he wants to transform into his private workspace. The space consists of two rooms, one facing the street and the other the inner courtyard. With a ceiling height of approximately 4.5m, the groundfloor property offered significant potential for vertical expansion.
The design introduces a new mezzanine level, making full use of the generous ceiling height to expand the usable floor area. While the new floor is divided by the existing structural wall, new openings and two staircases connect the different levels and rooms, allowing the spaces to flow seamlessly both vertically and horizontally as a single, continuous interior.
The proposal also incorporates the existing basement beneath the street-facing room, creating a spatial sequence across three levels: basement, ground floor, and mezzanine. Within a limited footprint, the design maximises vertical openness and spatial continuity, creating an interior that feels significantly more expansive than its actual size.
Small Apartment Berlin
Takuto Ihara was born in Japan and has been based in Berlin since 2008.
After graduating from the UdK Berlin University of the Arts, he gained diverse professional experience in Germany, Kiev and Zurich.
In 2022, he founded his own practice, Ihara Takuto architekt and has been member of the Architektenkammer Berlin.
If you feel we may be of assistance with projects in Japan or Germany, please contact :
info@iharatakuto.com
For Applications, please send your portfolio in English, German or Japanese.
Web Design by Sebastian Labis
Takuto Ihara was born in Japan and has been based in Berlin since 2008.
After graduating from the UdK Berlin University of the Arts, he gained diverse professional experience in Germany, Kiev and Zurich.
In 2022, he founded his own practice, Ihara Takuto architekt and has been member of the Architektenkammer Berlin.
If you feel we may be of assistance with projects in Japan or Germany, please contact :
info@iharatakuto.com
For Applications, please send your portfolio in English, German or Japanese.
Web Design by Sebastian Labis